Elle Belle's Gallery

Le Louvre et le pont du Carrousel, effet de nuit 1890




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Les Tanneries de la Bièvre 1887.



Paris vu de Montmartre 1887.





L'église Saint-Médard 1888.






Epargny, paysage aux grands arbres 1880.



Vue de Honfleur.




Paysage à Saint-Tropez 1892




Saint-Tropez 1900




Saint Tropez, Two Woman by the Gulf 1896-7





Woman from Behind 1900





Moulineux, Bathers 1903






Mer et rochers, Agay 1893.






Paris, the Seine and the Quai de la Megisserie viewed from the Quai de Horloge 1892





Un jardin au Grésillon, Poissy 1894.



The Orchard at Eragny 1895





Couillet, Charleroi, paysage au bord de la rivière 1896.




Guinguette au bord de l'Oise 1897






Fields 1895





La Cathédrale de Gisors 1898.




Haystacks, Plaine d'Essoyes 1897.






Mereville, a Herd of Sheep 1902-03.




A Farm in Ezeaux 1903




Les Scieurs 1906-8.




Moulineux, the Entrance to the Village 1906






Bessy sur Cure 1907.





Moulineux, the Village 1909

Из Вики:Максимильен Люс (фр. Maximilien Luce, 13 марта 1858, Париж — 6 февраля 1941, там же) — французский художник позднего импрессионизма.


Paris, the Seine and the Quai de la Megisserie viewed from the Quai de Horloge 1892.




Максимильен Люс учился на офортиста, позднее обучался в мастерской Свободной парижской школы художников Académie Suisse и у Эжена Фромана. По политическим взглядам — анархист. Вместе с Люсьеном Писсарро, сыном художника Камиля Писсарро он основал в Ланьи художественную группу Groupe de Lagny, поставив своей задачей развитие теории цвета Жоржа Сёра и его техники разделения цвета. Люс также высоко ценил творчество Камиля Коро. Помимо пейзажей, в его творчестве с 1887 появляются портреты.

Paris, Rue Cortot, Madame Luce on the Balcony 1893



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Портрет Максимильена Люса работы Поля Синьяка. 1891


Портрет Жоржа Сера-Portrait of Georges Seurat 1890


Félix Fénéon 1901
Henri Edmond Cross 1898





Like Camille Pissarro, Luce was active with anarchist groups in Paris in the 1890s, and in 1894 served a brief prison term during the Trial of the thirty, before being acquitted. One of his friends in this period was the Swedish artist Ivan Aguéli. During World War I, Luce painted war scenes, depicting soldiers struggling against the horrors of the Great War. Luce died in Paris in 1941.



1.Charleroi 1895-96-Oil on paper, laid down on card
Private collection
2.Le Louvre et le Pont-Neuf la nuit, eventail 1892
entre 1890 et 1892 huile et gouache sur papier, en forme d'éventail



© Musée d'Orsay


Maximilien Luce was, for a period of time, a strict Pointillist. After 1920, however, when he began spending a large amount of time around Rolleboise, Luce started to paint in a freer manner. Concerned very little with accolades, he did, however, accept the position of President of the Société des Artistes Indépendants in 1935 subsequent to the death of Signac, a position from which he would resign as a statement against the society’s growing posture towards restricting Jewish artists from exhibiting.

Luce made a significant contribution towards exporting Neo-Impressionism and maintained strong ties with the Belgian Pointillist Théo van Rysselberghe (1862-1926). Luce was indefatigable and was a prolific artist. Maximilien Luce remains a very important figure in French Post-Impressionist Art, as a Pointillist and a social realist.


The Seine at Herblay 1890.


Le Pecheur de Vers de Vase 1890

View of London 1892



Poissy, Women in a Garden 1893.



Montmartre, the House of Suzanne Valadon 1895


Montmartre, the Rue des Saules 1894


Children in the Fields 1897



Eragny, Horse on a Sunny Path 1895



Charleroi, Barges on the Sambre 1898.


Tall Furnaces 1896.


Montmartre, Snow Covered Street 1897



La rue Réaumur 1896



Landscape at Marchiennes 1896


Saint Tropez, Les Canoubiers 1897.

1.Марио Кавальери-"Самый французский из итальянских художников"(c)-drawings

2.Mario Cavaglieri-(Rovigo 1887 - Peyloubère, France 1969)Mario Cavaglieri was born in 1887 in Rovigo. He was born into a Jewish family whose native town was Venice. When he was nine the entire family moved to Padova and Cavaglieri was made to study Classics even though he showed a love of drawing and painting that led to him having private lessons. In 1906 he enrolled at the Faculty of Law at Padova University but his interest in painting continued and he began to study under the artist Giovanni Vianello. It was in his atelier that he had the opportunity to meet Felice Casorati and later he took part in lessons given by Cesare Laurenti in Padova.далее






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In 1912 he took part in the twelfth Venice Biennial where he was given a room in Cà Pesaro. From 1913 he exhibited at the Milan Permanente, at the Rome Secessions, at Munich and Zurich. In 1919 and 1920 his first personal exhibitions were held in Milan at the Casa Cagiati and at the Galleria Pesaro. These first personal exhibitions were particularly important because they attracted national criticism.

La Venere di Peyloubere-26-Juiette nuda
(супруга художника)
























3.Galleria

4.The Jewish Museum

5. Déco. Arte in Italia 1919 - 1939